By David Hiltbrand
- McCLATCHY NEWSPAPERS Updated: 05/08/08 6:32 AM
Growing up in Scotland, and after he moved to Australia with his family as a teenager, Colin Hay was always a keen observer and admirer of American culture.
By Mary Kunz Goldman
- NEWS CLASSICAL MUSIC CRITIC Updated: 05/08/08 9:20 AM
Gabriela Montero is reckless. She began her concert Wednesday night with the Busoni arrangement of Bach’s mighty Chaconne for solo violin, from the D minor Violin Partita. She just threw herself right into it.
NEW YORK — The Police will cap their world reunion tour with a final concert this summer in New York City, where they started out 30 years ago in Manhattan’s tiniest rock venues.
By Ryan Pearson
- ASSOCIATED PRESS Updated: 05/06/08 9:08 AM
BEVERLY HILLS, Calif. — When the one-man, publicity-generating whirlwind that is Diddy met the well-oiled hype machine of the Hollywood Chamber of Commerce, sparks were bound to fly.
CHICAGO — The Chicago Symphony Orchestra Association named maestro Riccardo Muti on Monday as the next music director of the CSO, the 10th conductor to hold the prestigious post.
By Mary Kunz GoldmanNEWS CLASSICAL MUSIC CRITIC
Updated: 05/05/08 9:18 AM
Sunday, the Buffalo Philharmonic Orchestra and Chorus presented “Defiant Requiem,“ which was the saddest and most moving memorial to the Holocaust I have ever seen.
By Joe Sweeney
NEWS CONTRIBUTING REVIEWER
Updated: 05/05/08 6:37 AM
It’s been about a decad e since America’s last infatuation with radio-friendly, Latintinged pop songs. And as the stars of that era — Ricky Martin, Jennifer Lopez, Enrique Iglesias, Marc Anthony, etc. — continue to fade from mainstream musical consciousness, the more obvious it becomes that they don’t have the talent or staying power of Latin pop’s reigning legend, Julio Iglesias.
By Garaud MacTaggart
NEWS CONTRIBUTING REVIEWER
Updated: 05/04/08 6:46 AM
Cinco de Mayo came early to Kleinhans Music Hall as conductor Robert Franz and the Buffalo Philharmonic Orchestra joined forces with the Rochester- based Mambo Kings for a pops program with a Latin jazz flair. Except for the opening work and the initial post-intermission piece, it was a Mambo Kings concert with the orchestra occasionally playing arrangements that placed it in a backup role.